“Once the instrument is created, its operational requirements shape the form of its members” Leonardo Da Vinci, from Elementi Macchinali
Friday, April 28, 2006
The Show Must Go OFF!!! plus pictures
heres some pics from the show my friends took....
....nevermind, theyre not uploading, work in progress
Monday, April 17, 2006
Sunday, April 16, 2006
Sunday, April 09, 2006
Wednesday, March 29, 2006
You talking to me?

Thanks a million to Rob for sharing his creative and simple solution which translates into great magic.
What is Yoda thinking?

His microbrain just let's it be, in true wizard fashion. I look forward to the next evolutionary step.
Tuesday, March 28, 2006
new york pics




these are the favs of my trip to ny. starting with Rona Pondick, sculptor who uses 3-d printing to scale up and down her body parts to then cast in steel.
Tony Oursler- sculptor/video artist using plaster to create bulbous forms and then projecting video on them to bring them to life.
Inka Essenhigh- Don't know a whole lot except she went to SVA and is a damn good painter.
Tara donovan- Sculptor most commonly using multiples of objects, this one's a little extreme. You think you're in the clouds, but with a closer look realize you are actually being confronted by an army of translucent solo cups. This was about half the size of a basketball court.
Monday, March 27, 2006
Feel the Force...
Tuesday, March 21, 2006
Snake Charm

This is a Basic Stamp controlled robot snake created by Dr. Gavin Miller in 1999. Click on the picture to see it move.
He is Principal Scientist at Adobe Systems Incorporated, but does this in his own time. He has been creating this fabulous snakes since the early 90's! He takes his inspiration directly from the critters themselves and explores different types of locomotion and behaviour as well as use of materials and mechanical solutions which are fascinating to explore.
I also enjoy his sense of humor, as in this photo:
which is a clear reference to an icon of the 80's, Nastassja Kinski, photographed by no other than Richard Avedon.Saturday, March 04, 2006
Yoda and its master

Rob Hamersma designed this talking Yoda that you can see in action by clicking on his image. We might have a chance to see it in class right after Spring Break since some of you are out this week. He was a student at the Intelligent Machines Design Lab and you should check out his class project, called Micro-Controlled High-tech Independent Putter! mCHIP for short. It is very impressive. I not only like the end result which is very successful but I particularly like the very detailed process documentation from conception to execution. Way to go!And, no, he is not a web designer :-)
Friday, February 24, 2006
I'm watching yo!

"To invent, you need a good imagination and a pile of junk." - Edison
Let me get my bearings and you will see what I can do..boink, boink
Monday, February 20, 2006
Friday, February 10, 2006
Puppet Tree
This is a quick collage of images that reference the 2 parameters we talked about in class: ratio of performer to object (1:many/many:1) and distance from performer to object. An good idea would be to position each image in both parameters as appropiate, except it is quite tricky or else it would need a lot of space to diagram correctly. In any case that most important part is to understand and explain where all this forms fit and how they relate. Some forms of puppetry belong in different categories simultaneously. How or where do your characters fit in this tree?
Monday, January 30, 2006
The power of limits
The purpose of the Experimental Performance Hybrid that you are about to embark upon is to discover and respond emotionally, reflectively, creatively and imaginatively to your own ideas and those of others. There is no better way I can think of to do that than to accept the fact that everything that exists does because there is an underlying structure that supports and/or generates it.
We might no be used to work collaboratively as artists because we have been inclined to think that creativity is a purely personal endeavor. But what we are looking to achieve is synergy, as described by Buckminster Fuller
So let's try to approach the assignment with a fresh vision and translate that vision into design for performance. Examine Image, Movement, Gesture, Spatial Relationship, Uses of Time, Shape, Repetition, Space and Action. Create a performance born of your own ideas, concerns, feelings, and motivations. And unleash the power of limits.Synergy or synergism most often refers to the phenomenon of two or more discrete influences or agents acting in common to create an effect which is greater than the sum of the effects each is able to create independently.
The opposite of synergy is antagonism, the phenomenon where two agents in combination have an overall effect which is less than the sum of their individual effects.
Thursday, January 26, 2006
Xtreme Puppetry
The rise of the machines. Arthur Elsenaar & Remko Scha work towards the complete automation of art.
Wednesday, January 25, 2006
The muscle machine
Hybrid Art
Monday, January 23, 2006
Bring your main processor

We will start work on the main performance project. For this you must bring concepts, issues and ideas to discuss and brainstorm around. Think about important questions, like: What is this stuff for? What value does it add to our lives? What are the issues most important to you?. If you were a poet and had to say the very last words of your life, what would you say?
"It is still not enough for language to have clarity and content ... it must also have a goal and an imperative. Otherwise from language we descend to chatter, from chatter to babble and from babble to confusion."














